The Society was established in 1974 and follows the NADFAS ethos of providing first class lectures, days of special interest, cultural visits and holidays.
Our President is Roger Mitchell MA (Oxon), pictured right at a Christmas Lunch, Shaw Hill.
He studied History at Oxford and Fine Art at Leeds. He then travelled and studied in the USA with a Churchill Award. A former College Vice-Principal, he now lectures at the University of Liverpool and for Adult Residential Colleges. He organises and leads Country House tours and also tries to find time to do research at Chatsworth.
Society meetings are held on the second Wednesday of each month at Samlesbury Hotel, Preston New Road, Preston, PR5 0UL.
Coffee is served from 10:00 to 10:30am, followed by a lecture which starts at 10:45am and finishes at approximately noon.
We are a member society of the National Association of Decorative and Fine Arts Societies. To find out more about NADFAS click here.
Registered Charity No. 514394
Georgia O’Keeffe in New Mexico – James Russell
This colourful lecture explores the relationship between an extraordinary American painter and an equally remarkable place: the picturesque state of New Mexico. Having visited the mountain art colony of Taos for the first time in 1929, she moved permanently to New Mexico after World War II. Fascinated by the mountains and desert, adobe churches and sun-bleached bones, and above all by the brilliant light and vast skies of the state they call the Land of Enchantment, O’Keeffe painted constantly. She was a fearless explorer, setting off alone into the empty landscape in a battered old car, and a tremendous character. Drawing on twenty years’ personal experience of New Mexico and an archive of personal photographs and reminiscences, this lecture brings to life one of America’s greatest artists, and one of its most beautiful places.
Churchill the Artist – Dr. Claire Walsh
In 1915 Churchill was rescued from depression by the ‘muse of painting’. Painting was the mainstay that enabled one of our greatest national leaders to achieve what he did. Churchill’s paintings record landscapes from the Riviera, to Blenheim, Chartwell and Marrakech. The most fascinating aspects of this exploration of a talent beyond the mere amateur is the role it played in his personal and political life, the restorative power of the process of painting, and the insight it allows us into the art of his age. Churchill took lessons from Lavery, Sickert and Nicholson, and the choices he made tell us much about the colour, texture and direction of art in the early-twentieth century